Wednesday, September 30, 2009

Beth McDonald in 4 categories for the Grammy Ballot

Field 16: Children's
Category 76 - Best Musical Album for Children
#005
Album: At Last: Love Songs & Lullabies
Beth McDonald

Field 10: Jazz
Category 45 - Best Jazz Vocal Album
#048
Album: Home
Beth McDonald

Field 5: Production, Non-Classical
Category 91 - Best Engineered Album, Non-Classical
#121
Album: Home
Chris Biondo & Marc Moss, engineers (Beth McDonald)

Field 10: Jazz
Category 46 - Best Improvised Jazz Solo
#189
Track: Longer
Lou Rainone, soloist (Beth McDonald)

Larry Slezak, "No Worries" in 5 Categories on Grammy Ballot

Field 10 - Jazz
Category 46 - Best Improvised Jazz Solo
223. YOU'VE CHANGED Larry Slezak, soloist
252. YOU'VE CHANGED José-Miguel Yamal, soloist (Larry Slezak)


Field 10 - Jazz
Category 47 - Best Jazz Instrumental Album, Individual or Group
194. NO WORRIES Larry Slezak

Field 10 - Jazz
Category 46 - Best Improvised Jazz Solo
223. YOU'VE CHANGED Larry Slezak, soloist

Field 10 - Jazz
Category 47 - Best Jazz Instrumental Album, Individual or Group
194. NO WORRIES Larry Slezak

Field 25 - Production, Non-Classical
Category 91 - Best Engineered Album, Non-Classical
193. NO WORRIES Glenn L. Wheeler, engineer (Larry Slezak)

Friday, September 25, 2009

Mia Nominated for Best Self-Produced CD of the Year

The "news" is that Alone Together With the Blues is being nominated by the South Sound Blues Association for the "Best Self-Produced CD of the Year" award by the Blues Foundation as part of the 2010 International Blues Challenge.

What is the "Best Self-Produced CD of the Year" award?

Since 2005, The Blues Foundation has celebrated up and coming artists by bestowing an award for the "Best Self-Produced CD" of the year. It will do so again in 2010. Where the IBC, through its panel of distinguished judges, has been the measure of excellence for a band's live performance, the Best Self Produced CD award honors artists that have achieved excellence in the studio. Acts can be bands, solo acts, duo acts, trios, full choirs or any other combination. The purpose of this award is to assist Blues musicians in the pursuit of their professional goals.

How is it related to the International Blue Challenge conducted by the Blues Foundation?

This award complements the International Blues Challenge-the live music component of IBC Weekend. The Foundation believes this award further emphasizes the critical role of affiliated societies in the Blues world and provides another featured award for IBC weekend.

How does the nomination and award process work?

* Entries for the Best Self-Produced CD are permitted by affiliated blues societies only.
* Each affiliate is permitted one entry only.
* The CD entered does not have to be performed by the band entered in the 2010 International Blues Challenge.
* The eligibility period is the same as for the Blues Music Awards-the CD must have been released during November 1, 2008 - October 31, 2009 time frame.
* Judging will be in three stages. There will be two rounds of judging by radio/print people leading to the final judging.

The finalists will be announced prior to IBC weekend. Music professionals will judge the finalists and the winner will be announced at the IBC finals.

Judges will evaluate:
(1) Musical Performance
(2) Audio Quality of the Presentation
(3) Cover Art and Design
(4) Credits and Liner Information.

Who is eligible for the award?

A performer who has previously been nominated for a Blues Music Award (formally the W.C. Handy Blues Award) shall not be eligible for this competition. A CD issued in the name of an otherwise eligible performer which also includes the contributions of a Blues Music Award nominee may be ineligible, depending on the extent of the contribution. A CD on a record label that has been previously nominated for a Blues Music Award (Formally the W.C. Handy Blues Award) shall not be eligible for this competition.

Compilations are not eligible.

Singer, band, society or local producer may produce the actual CD as long as the performer is a singer, band or other individual entity.

Recordings with established or "known" producers within the industry are eligible as long as the recording is on the artist's independent label and not on an established national blues label.

If a recording was produced independently but an established blues label has purchased the master for distribution, the recording is still eligible until such time as the established blues label releases the recording.

Who are some of the past winners?

2009 - Hollerin'! by Nathan James and Ben Hernandez

2008 - Sophisticated by Ladies Sue Palmer

2007 - We are Mighty Lester by Mighty Lester

Thursday, September 24, 2009

John Book Reviews Silveroot

REVIEW: Silveroot’s “Big Difference”

Image and video hosting by TinyPicNormally I don’t start a review off with the word “I”, so I’m not. Instead, it will start the second sentence.

I last heard of Silveroot last year with a great album called Full Measure, and arguably the world was very different in the spring of 2008. A lot has changed since then, but then again maybe they haven’t, at least within the United States. I state this because while they celebrate the best of Americana and what it means to live in this country, it’s more of an album about the human condition and what we must do with and amongst each other in order to survive in peace. This is one of the underlying themes on Big Difference (Silverado), as the group continue with their well-executed mix of country, bluegrass, rock, pop, and on this album a number of worldly influences, most notable in teh final song “Last Night In Marrakech”, which sounds like a cross between Led Zeppelin, Loggins & Messina, and something you’d hear on a Folkways album. The smell of good food can be imagined in “Home Cookin’”, where Flynn imagines the delicious goodies found in New Orleans while creating a song that is reminiscent of The Band.

Most of the vibe on the album is down home music, but as the old saying goes, “wherever you lay your hat, that’s home”. It looks inward, but in “Brazil” there’s a slight tropicalia feel where vocalist Patrick Flynn and violinist Emily Palen unite in a celebration of the sunlight in Rio. The way the song is put together, it might help cross them over into a much bigger audience, sounds like a song that could be covered by The Dave Matthews Band or even Clara Hill.

Exploration is a key element here, or at least Flynn and friends are being motivated to open the door to their musical world to see what else lurks down the road, and Big Difference is indeed just that. A very strong statement.

Kat Walker is a Hit with Hollywood Magazine

MUSIC REVIEW

Kat Walker
"Jazz Skat Gumbo"

Kat Walker - Jazz Skat GumboKat Walker is one talented woman. Her rich, earthy voice and unique style lure the listener to pure delight.

There is a feeling of joy from hearing her upbeat renditions of these jazz and other classics sung in such a way as to make you feel like you are right there with her. She is the kind of singer that makes you stop what ever you are doing, sit down and be enveloped by the music.

Each song is a well rounded journey with lots of fun vocal surprises. Her choices of musicians back her up beautifully with their own talents to make this a sweet treat of a CD.

For more visit www.KatWalker.com.

By Debra D'Amato

Monday, September 14, 2009

Denise LaGrassa Releases April Dreams


On April Dreams, new La Grassa listeners will hear why her poetic lyrics and memorable melodies have earned her critical praise from The Chicago Tribune, Chicago Sun Times, Chicago Reader and the BBC.

La Grassa surrounds herself with some of Chicago's best, including pianist Ben Lewis, drummer Gerald Dowd, guitarist Scott Tipping
and bass player/producer Matt Thompson. LaGrassa’s soul-baring lyrics and her ability to let each song take on a life of its own have created this uniquely original CD.

“Get Home and Give Me Love” portrays an utterly magnetic quality that leaves the listener singing long after the cut is over. Like so many current artists, La Grassa comes from a jazz background which you can hear creeping into each song giving April Dreams a unique texture for an intensely deep and personal experience. This is exemplified in “Deep Down Love” an Tom Waits-esque La Grassa orginal or “String Of A Kite,” which displays La Grassa in an intimate setting where her deliciously entrancing voice that captures you in a moment of time focusing on each precious syllable that stands alone as a singular accomplishment.

“Best Day” takes us on a rootsy trail experiencing the tender soft and fragile side of La Grassa’s voice and songwriting, her soft high voice invests her most elliptical lines with warmth, longing, emotions. The well crafted and witty “Sweet Talk” hits you with La Grassa’s full bodied alto voice grappling with the attraction of man. “Musically, the CD ranges from Triple-A, to Folk all laced with jazz flavors to give it a complexly rich sound, but truly accessible to many age groups who pride themselves on stellar well-crafted songs in their collection.

“La Grassa is a singer of serious talent and an artful writer.”
~Rick Kogan, Chicago Tribune

“There is something thrilling about watching her … and that girl can sing!”
~ Jack Helbig, Chicago Reader

"La Grassa’s performance and compositions are filled with a great deal of
talent, originality and panache!”
~Chris Jones, Chicago Tribune

"La Grassa's strong singing voice has a radiant folk quality"
~Lloyd Sachs, Chicago Sun Times

Dan Moretti CD release and live DVD shoot at Chans


Dan Moretti CD release and live DVD shoot at Chans

NEW TRES MUSE CD

Host:
Jon Chan
Type:
Network:
Global
Price:
$12
Date:
Friday, October 9, 2009
Time:
8:00pm - 11:00pm
Location:
Chans
Street:
267 Main St,
Phone:
4017651900
Dan Moretti Sax, Marty Ballou Bass, and Steve Langone Drums for (Marty Richards) perform music from Dan's new CD Tres Muse on the Foundations Jazz Label. A live DVD will also be recorded so come and get in the shot.

Thursday, September 3, 2009

Global Jazz Project at Detroit Jazz Festival

Mark Hershberger, the leader and saxophone player for the group, continues to lead the group to new dimensions in jazz. On September 6, 2009, the Global Jazz Project will be performing at the historic 2009 Detroit International Jazz Fest, bringing their far-out global jazz to the Water Front Stage at Hart Plaza, Detroit, Michigan.

The Global Jazz Project members have a long and colorful history and continue their journey together to meet great demand for performances including concerts around the globe and exclusive engagements that fuel the success of these amazing musicians. The group includes; Mark Hershberger (SAXES) Muruga Booker (Percussion), Michael Colone (Guitar/Mandolin), Richard Smith (Bass) and Andy Szadyr (Keyboards)